荣耀六十年

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor 详情

• 第1集

  爱情背叛

  莎拉·鲍尔, 安德鲁·富尔茨, 马克·赫尔曼

• 第1集

  美丽心灵

  罗素·克劳,艾德·哈里斯,詹妮弗·康纳利,克里斯托弗·普卢默,保罗·贝坦尼,亚当·戈德堡,乔什·卢卡斯,安东尼·拉普,贾森·加里-斯坦福德,贾德·赫希,奥斯汀·潘德尔顿,薇薇·卡登尼,吉莉·西蒙,维克多·斯坦巴赫,坦娅·克拉克,罗伊·辛尼斯,谢丽尔·霍华德,兰斯·霍华德,简·詹金斯,乔什·帕斯,瓦伦蒂娜·卡迪纳利,蒂格尔·F·伯格里,迈克尔·埃斯佩尔,艾米·瓦尔兹,小艾德.朱普,卡拉·奥奇格罗索,斯特里奥·萨万特,迈克尔·阿伯特,雷吉·奥斯汀,凯德·比特纳,理查·布莱恩特,丹·陈,乔纳·福尔肯,法布里奇奥

• 第1集

  韩公主

  千禹熙,郑仁仙,金素英,李英兰,金崔龙俊,金炫俊,权范泽

• 第1集

  花季少女

  佐伊·达奇,凯瑟琳·哈恩,亚当·斯科特,迪兰·格鲁拉,埃里克·埃德尔斯坦,蒂姆·海德克,玛雅·埃谢特,乔伊·摩根

• 第1集

  埃及艳后

  伊丽莎白·泰勒,理查德·伯顿,雷克斯·哈里森,帕梅拉·布朗,乔治·科尔,休姆·克罗宁,西萨尔·达诺瓦,肯尼思·黑格,安德鲁·克尔,马丁·兰道,罗迪·麦克道尔,罗伯特·斯蒂芬斯,弗兰西丝卡·安妮丝,格雷瓜尔·阿斯兰,马丁·本森

• 第1集

  春光乍泄

  张国荣,梁朝伟,张震,格利高里·戴顿

• 第1集

  山的那一边

  黄瀞怡,苏达,森竣,撒基努

• 第1集

  狂赌之渊电影版

  滨边美波,高杉真宙,森川葵,矢本悠马,松田流花,冈本夏美,柳美稀,中村由利佳,三户夏芽,松村沙友理,池田依来沙,宫泽冰鱼,福原遥,伊藤万理华,小野寺晃良

• 第1集

  燃烧女子的肖像

  诺米·梅兰特,阿黛拉·哈内尔,卢安娜·巴杰拉米,瓦莱丽亚·戈利诺,Christel Baras,阿曼德·博兰格,Guy Delamarche,Clément Bouyssou,米歇尔·克莱门特,Cécile Morel

• HD

  触底反弹2024

  余龙,欧阳可依,朱雀,韩成才,王守奥,牛兴

• 第1集

  触底反弹

  余龙, 欧阳可依, 朱雀, 韩成才, 王守奥, 牛兴

• 第1集

  异国日记

  新垣结衣, 早濑憩, 夏帆, 小宫山莉渚, 濑户康史